The SBL Podcast

Sign up for our Fretboard Accelerator: https://sbl.link/3FQnkdO (Last chance to lock in at this price!) Hairspray, Hamilton, Billy Elliot, Queen Rock Symphonic, Dreamgirls, Mamma Mia! You name it, Ian King’s probably played it, and in today’s episode we dig into the path he took to landing a job in London’s West End theatre district. In this episode What it takes to hold the bass chair in London’s...

In today’s episode, we dive into the track Scuttle Fish from The Devine King Project, Vol. 1. Learn how I tackled the time signature, and the opening slap bass riff. This track also features a saxophone solo by David Binney and it seriously shreds! In this episode Scott breaks down the track Scuttle Fish. Including his favorite solo from the entire album. How he honed his slap bass skills for the...

There's nothing quite like slapping on a new set of strings. It’s the quickest, easiest and cheapest way of breathing new life into your instrument. But finding the right set can take a few tries, as different players like different brands and gauges. In today’s episode, we run through our pick of the best bass strings out there, and everything you need to know about them. In this episode How...

As bassists we get used to writing bass lines that are grooving, but can the bass guitar also play the melody of a song or be the focal point? In today’s episode, you’ll hear Scott’s analysis of the song Glass Ceiling from The Devine King Project, Vol. 1, including the importance of being able to represent and perform a great melody on the electric bass. Shouldn’t everyone in the band get to play...

Many of us love old bass guitars because of the almost indefinable cool that comes with a vintage instrument. A bass that’s been artificially aged, however – the type we often call a relic – gives you the freedom to play, without the fear of damaging a vintage collectible. But a relic is not just about random scratches or dents. In today’s episode, we dig into the pros and cons of both. In this ep...

Our next track from The Devine King Project, Vol. 1 is a nod to the cyclic chord pattern of Giant Steps by jazz saxophonist John Coltrane. Luckily, you don't need to know a major third from an augmented ninth to dive into this track and jam it loud. We’ve created a free Ebook with all the TAB and notation! In this episode What makes this Scott’s favorite track on the album. How he unlocked th...

For gear-savvy musicians, California’s Winter NAMM Show is the biggest event of the year, but is it the best? So on to this episode, and having crossed the Atlantic earlier in the year Ian brings you his report from Guitar Summit 2023. This three day event is Europe’s biggest guitar show, and a true walhalla for any bass guitar lover. Now there’s a thought! In this episode Guitar Summit 2023 vs. T...

Wired Telemetry is the second track from The Devine King Project, Vol. 1. It’s a classic fusion instrumental, which makes it a great vehicle for anyone looking to experiment with improvising. In this episode, you’ll hear Scott’s own analysis of the song, including his tips and tricks for you to experiment with while playing along. Scott maps out the track Wired Telemetry. Including the Brecker Bro...

Clever use of a stompbox can transform even the most ordinary bass guitar part into a classic. In this episode, we run through our guide to the best and most desirable effects pedals ever to brave a sticky stage. In this episode we cover... An introduction to the major effects types. Our pick of the most exciting stomboxes out there. Why the Boss OC-5 is still going strong. How you can win Scott’s...

The Devine King Project, Vol. 1 has finally arrived! The album was recorded back in May and features a star-studded line up of award-winning musicians, including Gergo Borlai, Nate Werth, Scott Kinsey and David Binney! In today’s episode, find out what we were striving for with each section of Game Theory – and what happened along the way… In this episode I dive into the first track from the new a...

Fender’s Custom Shop and its sub-brand Squier are two of the biggest names in the bass world, but many of the instruments they make can look the same, and in some cases actually sound very similar too. In today’s episode, Sharon and Ian dive into some history. Tune in, if only to hear what happened when Sharon met Vinny Fodera! Happy listening. In this podcast you're going to learn: How Stuar...

When it comes to recording, everyone has their own way of getting in the zone. Sure, spontaneous magic can sometimes happen, but being prepared for what you're about to do is the best way to really get fired up! In today’s episode, I look back at what I learned and what I did (my creative process) when I went in to record my upcoming solo album. From dealing with pre-studio jitters, to my one...

Back in May, we went to the studio to record the first SBL album project. Originally it was going to be a pretty straightforward release… but having read through a bunch of comments, we decided to change things up. In today’s episode, I reveal some key takeaways from that first studio session, what you can expect over the coming weeks, and how you could win the bass I used to record with! In this...

What a stupid question, right? As bass players, there are few things more satisfying than pulling the trigger on a new bass, but would we be better served expanding our amp collections instead? Will a new amp really make your bass sound any better? In today’s episode Ian and Scott talk you through a couple of different viewpoints that will help you determine how you might spend your hard-earned mo...

There’s a reason more people listen to Guns N’ Roses than Victor Wooten, and it’s not because Duff McKagan is better at playing arpeggios! But still, good technique is something that every bassist should add to their skill set, and in this episode, I’m answering all of your questions surrounding our Technique Accelerator. I hope it gives you a little extra time to check out the course – and to fin...

In this week’s episode, Ian tells us about his experience playing with a full orchestra and navigating the social and musical intricacies he encountered, including confronting his imposter syndrome around classical musicians, the challenges of reading standard notation perfectly and everything in between. Additionally, he goes on to break down the basics of what you need to know around DI’s - Dire...

We love the bass community and will always maintain that it is THE best community in music to be a part of. BUT. Every now and then even our community members show an uglier side. In the world of content and running (online) businesses in particular, garnering hate online is almost too easy and, unfortunately, we did have a bit of a run-in with just that a little while ago. But, lessons can be lea...

Are Fenders really the best option, especially when you’re looking to play professionally? Maybe not? In today’s podcast, we’re exploring why your bass doesn’t HAVE to be a Fender and some alternatives that can come close in sound and vibe. AND why you may not want a Fender style instrument at all! Is there such a thing as the perfect sound? The perfect bass? Can you love a sound on someone else b...

A veteran of the Nashville studio scene, Amos Heller has occupied the bass chair for Taylor Swift’s backing band The Agency since 2007. Whether you’re a Taylor Swift fan or not, when Amos agreed to check in with SBL after the record-breaking Eras tour, we knew we were in for one of our most fun and entertaining interviews to date! In today’s episode, we get a full run down on Amos Heller’s gig wit...

We were delighted to welcome Wil DeYoung, Carey Nordstrand, Spencer Lull and Joe Zon at our luthier panel discussion at Bass Space 23 this year. The session was undoubtedly one of the highlights of the summit and a true pleasure to attend, as four masters of the field dug into all of the different aspects of being a bass builder. In this episode you're going to learn: How much tone wood truly...

When it comes to naming bass players with a unique style and approach to the instrument, Ra Diaz is well and truly up there. Having formed one of Suicidal Tendencies’ most exciting rhythm sections alongside legendary Slayer drummer Dave Lombardo, Ra’s work with nu metal band Korn is also indelibly etched on the rock landscape for all to see. Sounds like the perfect guy for anyone looking to improv...

Is buying a bass guitar online a bad idea? If you’re anything like us, you probably browse the guitar sections of both brick-and-mortar stores and online fairly often! Also in today’s episode; we explore the pros and cons of digital and analog stompboxes, and walk you through the tactics we’re using to grow our YouTube channel. In this episode you're going to learn: Buying basses online… why...

Whether you know him best as part of Mr Big, Talas, The Winery Dogs or as the guy from David Lee Roth’s Eat 'Em and Smile, Billy Sheehan is one of the most recognisable rock bassists of his generation.  In this special interview from Bass Space 2022, Billy talks us through the ins and outs of his rock roots, how he likes to plan his practice and how he developed his ferocious string bending s...

Any signature bass guitar is one of a kind and unique. However, it entirely depends on what side of the fence you are. In today’s episode Ian unveils his own collaboration with Mike Lull Custom Guitars! Scott also speaks about his recent studio project and shares some early details about the next one! In this Episode you're going to learn: Why Ian has launched his own signature bass. And how...

Ever since Jack Casady first used an Alembic to hot-wire his bass sound with Jefferson Airplane, boutique builders have maintained legendary status throughout the bass world. But can the right player make any bass sound good? In this episode, we discuss one of the most recognisable and idolised bass guitar designs of all time (and Scott’s new bass hero who played it. In this episode you're go...