Soundtracking with Edith Bowman

Our latest episode of Soundtracking is with composer Paul Saunderson, who has scored the BBC documentary Earth, which is available to watch now on the BBC iPlayer. Hosted by the wonderful Chris Packham, the show explores some of the most significant moments in our planet's history, from asteroid bombardments to extreme changes in climate to the collision of continents, using groundbreaking science...

What a joy to welcome Ludwig Göransson back for a fourth time to reflect upon the incredible music he provided to Christopher Nolan for Oppenheimer. And in person, too!

In a change to our billed interview with Ludwig Göransson, we're putting out Edith's chat with Kathryn Ferguson. Kathryn directed the Sinéad O'Connor documentary, Nothing Compares, which very specifically concentrates on the tumultuous period in her life between 1987 and 1993, during which she became a global sensation, but also the victim of a character assassination in the media, having spoken o...

Recorded before the SAG strike began, our latest guest on Soundtracking is the legend that is Christopher Nolan. Criminally, it's the first opportunity Edith has had to speak to him on the podcast, so it was an absolute joy to welcome him on to discuss Oppenheimer, which sees him reunited with our good friend, Ludwig Göransson.

In an interview recorded before the actors strike began, Greta Gerwig returns to Soundtracking for a third time, to discuss the music of her extraordinary take on Barbie, which is witty, funny, smart and cerebral. Among the many points for discussion are Mark Ronson's involvement, who has a key hand to play in both the score and frankly incredible soundtrack.

Our guests today are Cécile Tournesac and Eddie Hamilton, who are respectively the music editor and editor of Mission Impossible: Dead Reckoning (Part I), directed by our old friend Christopher McQuaurrie, and scored by our even older friend, Lorne Balfe.

We love James Mangold, so it is a joy to welcome him back to Soundtracking to discuss the final instalment of the Indy saga, and, of course, the unsurpassable John Williams.

As promised, we have a bonus episode of Soundtracking for you this week, as the brilliant Charlie Brooker joins me to discuss the inimitable Black Mirror. All 6 episodes of the new season are available to watch on Netflix now, and do not disappoint. Music is a central part of the show, from the needle drops to the composers he's employed, including friends of the show Daniel Pemberton, Max Richter...

Bit of a legend alert for you now, as we welcome the genius that is Wes Anderson to Soundtracking. Wes's latest offering is quite difficult to describe in a few words. But suffice to say it is laugh-out-loud funny in parts, incredibly moving in others, features a terrific ensemble cast, and once again sees him work with composer Alexandre Desplat and our Jarvis Cocker.

We are celebrating the 50th anniversary of The Wicker Man this week in the company of Lesley Mackie and Gary Carpenter. Lesley appeared as Daisy, while Gary was the film's associate music director, who helped assemble the band Magnet, who performed the songs composed by Paul Giovanni.

It's a welcome return to Soundtracking to our very good friend, the composer Daniel Pemberton, who has provided the score for the simply sensational Spider-Man: Across The Spider-Verse. We'll hear plenty of Daniel's music from the film throughout the conversation, as well of fascinating insights into the process of making the score and the movie.

Our latest episode of Soundtracking sees us joined by two great friends who scooped the Camera d'Or at Cannes last year for best first feature  Riley Keough and Gina Gammell co-wrote, produced and directed War Pony, which tells the overlapping stories of two boys on the Pine Ridge Reservation - brilliantly played by Jojo Bapteise Whiting and Ladainian Crazy Thunder - and comes out in cinemas in th...

Our latest guest on Soundtracking is the Icelandic composer, Atli Örvarsson, who has provide the score for the brilliant Apple TV show, Silo. With a cast led by the ever-excellent Rebecca Ferguson, the show is set in a dystopian future in which a community exists in a silo hundreds of stories beneath the ground. We also talk Eurovision, The Simpsons, and why Iceland is such a prolific producer of...

We have not one but two guests on our latest episode of Soundtracking, in the shape of Rob Marshall and Alan Menken. Rob has reimagined the 1989 Disney classic, The Little Mermaid, in live action, while composer Alan Menken provided music for both. Edith sat down with Rob and Alan separately to dive deep into the score and songs.

Our latest guests on Soundtracking are two very talented women who have worked together on the music for A Small Light - the brilliantly-told story of Miep Gies, who helped Anne Frank's family and other Jewish refugees into hiding during World War 2. Ariel Marx provided the score, while Este Haim worked on contemporary reversionings of songs from the era with the likes of Sharon Van Etten, Angel O...

Our latest episode of Soundtracking is with Will Lovelace and Dylan Southern, who are the directors of Meet Me In The Bathroom. Based on Lizzy Goodman's book of the same name, the film tells the story of the rebirth of the New York rock scene at the turn of the Millennium, and features incredible documentary footage of bands like The Strokes, Yeah Yeah Yeahs, LCD Soundsystem and The M<odly Peac...

We have 3 guests for you in our latest episode, discussing an extraordinary journey which saw the acclaimed English National Ballet's production of Creature transformed into a film during lockdown. Choreographed by Akram Khan with music from Vincenzo Lamagna, Creature is inspired by Georg Büchner’s expressionist classic Woyzeck, and has echoes of Frankenstein too. Now, our good friend Asif Kapadia...

Our latest guests on Soundtracking are Rachel Weisz and Alice Birch, who together are instrumental in bringing us the TV remake of David Croneburg's classic chiller, Dead Ringers. As well as reprising the Jeremy Irons role as the central twins, Rachel also produced the show, while Alice developed the concept for Amazon Prime and was a driving force behind the script. Here they discuss some of thei...

It's been one of the TV events of the year, and we're delighted to be celebrating its success with two of the composers who worked on it. Based on the 2013 video game, The Last Of Us tells the story of Ellie and Joel as they navigate a post-apocalyptic world in which a mass fungal outbreak has caused humanity to collapse, with the infected turned into bloodthirsty Zombie-like creatures. The game w...

Our latest guest on Soundtracking is the actor and director, Diego Luna. Diego is, of course, the star of Andor, which you can watch now on Disney +. If you haven't seen  season one yet, you need to change that right now so you're ready for season 2, which is currently in production. Hurrah! Here Diego discusses Nicholas Britell's score, the brilliance of showrunner Tony Gilroy, and why he believe...

Our latest guest on Soundtracking is the very lovely, very charming and very brilliant actor, John Boyega. John can currently be seen in Breaking on home entertainment formats - a heist drama based on true events in which a financially stricken veteran threatens to blow up a bank unless he receives a payment he is owed from his time in the Marines. Such a treat to have him along, we hope you enjoy...

It's a welcome return to Soundtracking to Chad Stahelski and Keanu Reeves to discuss their work together on John Wick: Chapter 4. The pair have clearly had huge amounts of fun making this - and all - the John Wick films, and their passion for and dedication to building Wick-World is plain for all to see on screen. It's a great chat, which we very much hope you enjoy!

Our latest guest on Soundtracking is the super-smart, super-likeable and super-exciting young talent, Raine Allen-Miller - whose directorial debut feature Rye Lane brims with charm, wit, energy and panache. Set in Peckham and Brixton, it tells the story of Yas and Dom - two twenty-somethings who meet in the wake of their respective breakups and bond over the course of an exceedingly eventful day....

Our latest guest on Soundtracking is composer Rachel Portman. Rachel has just released an album of her film music re-versioned and performed by her called Beyond The Screen - Film Works On Piano, and it is a very lovely thing indeed.  The other reason we wanted to put out the interview this week is that Rachel was the first ever woman to collect an Oscar for composing - for Emma, back in 1996. Con...

358 episodes in, and the man who kicked it all off for Soundtracking returns for a third time. Jon Favreau was the very first guest Edith recorded for the podcast - for which we're forever grateful - and here he is again to discuss The Mandalorian, the brilliant show he created for Disney +. Season 3 is streaming weekly now.