Scriptnotes Podcast

John and Craig break out of coverage to look at oners and long shots, cutting through any directorial showboating to compare the pros and cons and cons and cons of those unbroken takes, offering ways to decide when they are necessary or purposeful, and how to recognize when it’s better to cut. We also look at changes to Sundance and the Nicholl Fellowship, answer listener questions on house lights...

John and Craig welcome writer and showrunner Tony Gilroy (Andor, Michael Clayton) for an in-depth look at crafting a second season of a hit TV show. They look at ways to find your season’s structure, setting your production up for success, controlling the energy your audience spends on information, and how to wrap up your story before the show eats you alive. They also answer listener questions on...

John and Craig sit in project purgatory and ask, what do you do when the only answer you’re getting is “maybe”? They share advice on how to gently check in without annoying people, recognizing the soft pass, the unexpected benefits of patience, and what to do when you’re the person holding up the gears. Then it’s another round of the Three Page Challenge, where John and Craig give their honest fee...

John welcomes back Christina Hodson (The Flash, Bumblebee) to ask, how do you to construct a great action sequence? Using examples from three different movies, they discuss what good action looks like on the page, how to keep your reader from getting bored or confused, and why production can sometimes blow your plans to smithereens. Then it’s a round of How Would This be a Movie?, where we take fo...

John welcomes back Liz Hannah (The Girl From Plainville, The Post) to ask, how do you know if a character can carry a story? They look at ways of identifying your protagonist, defining privileged storytelling power, and the choices to make when figuring out which characters can hold narrative point of view. We also look a the phenomenon of the “Stranger in the Room,” follow up on writing during cr...

John and Craig welcome producer Dan Etheridge (iZombie, High Potential, Party Down) to look at how non-writing producers develop projects, coordinate across departments, and maintain the tone of the show as directors come and go. We offer practical tips for making the most of video village, regardless of your role, and solutions for the scourge of directors chairs. Highland Pro, John’s next genera...

John and Craig decipher mystery box shows, where the premise and audience experience involve solving the puzzle of what’s really happening. They look at strategies for revealing clues and information, being mindful of the audience’s expectations, and the importance of the emotional journey inside the labyrinth. We also announce a new video game, discuss what we can learn by revisiting old projects...

How do you keep doing creative work when the world is falling apart around you? To sift through the despair and doubt, John welcomes back legendary Scriptnotes guest, writer-turned-psychotherapist Dennis Palumbo. They discuss the many feelings that catastrophic events can bring up in artists, the personal narratives that often inform those feelings, and how to keep moving forward when you feel lik...

Craig welcomes writer and showrunner Joshua Zetumer, creator of the limited series Say Nothing, to explore the process of dramatizing real events — particularly when the subject matter can be volatile. They discuss how to keep a sprawling historical epic from feeling like a lecture, keeping a consistent tone, humanizing complicated people, and how not to get sued by the people who were reall...

Hearken well! John sitteth in discourse with the learned Robert Eggers, weaver of dreadsome visions (The Witch, The Lighthouse), whose latest labour bringeth forth Nosferatu from the mistes of antiquity. Together, they dost unravel the craft of breathing newe life into the ghastly count of olde, how Robert didst hone his vision through toil and cunning in his firste labours, and the summoning of t...

Structure is the fundamental skeleton of every story ever told, so why does it flummox so many writers? John and Craig outline what structure really is, ways to find it in your story, and how to keep it from tying your brain in knots. We also look at ways to find nuance in our appreciation of movies, follow up on erotic fiction, and answer listener questions on how to work with a director and poin...

After a difficult few weeks in Los Angeles, John welcomes writer, director and actor Jesse Eisenberg to peel apart the complicated human reactions to grief and loss. They look at how both collective and personal grief inform the characters of Jesse’s latest film, A Real Pain, and reflect on the ongoing LA fires and the loss of David Lynch. They also explore Jesse’s evolution as a writer, directing...

John and Craig look at three extraordinary news stories and ask, How Would this be a Movie? Stories include the United Healthcare CEO assassination, a small town’s process for licensing fortune tellers, and a harrowing I.V.F. mixup. We also follow up on AI, Flightplan’s source material, Craig’s Belfast accent, and answer a listener question on the order of surnames for writing partners. In our bon...

Many of the biggest AI models have been trained on film and TV dialogue, and writers are furious. John and Craig explore the legal, ethical and philosophical implications of this revelation, our emotional reactions to it, and offer strategies for picking the right hills to die on. But first, we follow up on the definition of horror vs. thriller, generational narcissism, and young people’s ambition...

John and Craig welcome Brian Jordan Alvarez & Stephanie Koenig (English Teacher) and Jac Schaeffer (Agatha All Along, WandaVision) to join them for a live holiday benefit for Hollywood HEART. They discuss constructing Agatha All Along from blue sky to the Witches’ Road, “protagonizing” a villain, breaking in through YouTube and maintaining a working relationship with your best friend. We also...

John and Craig take a deep dive with the Devil, exploring the unholy trinity of satanic films: Rosemary’s Baby, The Exorcist and The Omen. They look at how these three horror classics work, where our modern conception of Satan comes from, and the future of the Devil on screen. We also answer listener questions on character arcs in horror, what separates horror movies from thrillers, and why the sp...

John and Craig explore character agency in everything from scenes to entire series. They look at what agency looks like on the page, which characters should have agency, and what to do when you feel your characters sleepwalking through the plot. We also strategize ways to move forward after the recent US election, and answer listener questions on writing sign language, screenwriting software for t...

John and Craig look at how writers (and other humans) handle the anxiety of uncertainty, from election nights to green lights. We’ll talk through strategies for navigating situations where your circle of concern doesn’t match your circle of control. Then we travel back to the 1980s and 90s, when many studios were run by ambitious strivers in their late 20s and early 30s. As the decades have passed...

John and Craig make their triumphant return to the Austin Film Festival for a wild night full of Emmy winning writers. They welcome Shōgun co-creators Rachel Kondo & Justin Marks to look at their process for structuring a series-long adaptation, keeping translations eloquent and accurate, and writing together as a married couple. We then welcome Susan Soon He Stanton (Succession, Dead Ringers)...

John and Craig answer twenty listener questions on craft, career, and the future of the industry. Questions include: How do you correct well wishes you haven’t earned? What kind of relationship should you have with the person who created your source material? How do you keep your reps invested? What’s going on with that Stereophonic lawsuit? And are writers retreats helpful or a total waste of tim...

Why is screenwriting so difficult, even for the smartest people? John and Craig look at the relationship between intelligence and wisdom, the kinds of problems writers attempt to solve, and the unmeasurable skills that screenwriters need to succeed. Then it’s another round of the Three Page Challenge, where they give their honest feedback on three listener-submitted scripts. We also follow up on M...

John and Craig welcome back Taffy Brodesser-Akner (Fleishman is in Trouble) for a deep dive on 2011’s sports drama Moneyball. What makes Moneyball work? Is it a traditional underdog movie, or does it break all the rules? Is Billy Beane a hero or a villain? What advantages do sports movies give you, and how much do you have to explain to your audience? How are movies like this developed? And how ca...

John welcomes back Marielle Heller (Can You Ever Forgive Me?, A Beautiful Day in the Neighborhood) to look at three stories of real people with too much money and ask, How Would This Be a Movie? Stories include strategies for dating Leonardo DiCaprio, the rise-fall-rise of inventor Palmer Luckey, and a council built to give away a fortune. We also go feral over Marielle’s new movie Nightbitch, as...

John and Craig revisit their legendary conversation with screenwriter-turned-psychotherapist Dennis Palumbo to discuss writer’s block, procrastination, partnerships and more. It’s a can’t-miss episode for aspiring writers and professionals alike. In our bonus segment for premium members, we travel back to episode 425 where John and Craig debate when to practice self care or tough love, and how to...

The original post for this episode can be found here . John August: Hello and welcome. My name is John August. Craig Mazin: My name is Craig Mazin. John: This is Episode 651 of Scriptnotes, a podcast about screenwriting and things that are interesting to screenwriters. Today on the show, we’ll do a live edit of a chapter for the forthcoming Scriptnotes book and answer a bunch of listener questions...