Pop Screen

A biopic of Brian Wilson had been mooted ever since the late 1980s, but it wasn't until 2014 that Bill Pohlad's Love & Mercy was released, with its bold time-hopping structure that allowed both Paul Dano and John Cusack to play the Beach Boys' chief songwriter. The former played Wilson as he recorded Pet Sounds and his legendary unrealised Smile project, the latter played him as he struggled t...

Could the King of Pop have become the King of Cinema? Not, perhaps, on the evidence of 1988's Moonwalker, a curious, personal but deeply overbudgeted melange of music videos, live performance, claymation and a bewildering plot-line where Jackson fights back against Joe Pesci's not exactly Scorsese-worthy drug dealer by turning into a car. Critics at the time found it bizarre, self-indulgent and in...

The director of Deliverance made a film starring the Dave Clark Five? It happened! This week, We Are Cult's Mark Cunliffe rejoins the podcast to talk about John Boorman's very uncharacteristic debut Catch Us If You Can, starring Clark as a stuntman who goes on the run with Barbara Ferris's frustrated advertising spokeswoman. Made in the shadow of A Hard Day's Night, its unsettling satire on the PR...

There aren't many pop movies of the 2010s that won an Oscar, but then there aren't many pop movies as well-crafted and emotionally devastating as Asif Kapadia's 2015 documentary Amy. A bruising look at the rise and fall of Amy Winehouse told with intimate archive footage, it's both a celebration of a unique talent and an excoriation of the culture that led to her death. On this week's Pop Screen,...

The long-awaited biopic of Sir Elton Hercules John - wait, Hercules? Yes, Hercules - was always going to be a flamboyant affair, but no-one suspected it would be a full-scale, dancing-in-the-streets musical. Yet that is exactly what director Dexter Fletcher and screenwriter Lee Hall delivered in 2019's Rocketman. This week, the Ben, the Ben, the Ben is back to help Graham make sense of the extraor...

Phyllida Lloyd's 2008 film Mamma Mia! was a box-office sensation - so why are we vaulting straight over it to review its 2018 sequel? A lot of reasons, as Mark and Graham discover on this week's episode of Pop Screen. Beginning with an absolutely gonzo rendition of When I Kissed the Teacher, Mamma Mia! Here We Go Again takes plenty of big, weird chances, not least the decision to pattern its plot...

Look at the film we're covering on this week's Pop Screen. Who can say it's not beautiful? That's right, this week Graham and Ewan are reviewing True Stories, the sole directorial credit for Talking Heads frontman David Byrne. A drily comic compilation of stories inspired by Byrne's love of local tabloids, it gave John Goodman an early starring role, it gave Thom Yorke a band name and it gave Warn...

Christina Aguilera waited ten years to make her first film, and when she did the reviews suggested she could have waited a little longer. This week, Joe and Graham look at Burlesque, which pairs Christina with one of the most accomplished (Oscar-winning!) singers-turned-actors in history, Cher. It's a strange mix of let's-put-the-show-on-here cliches, Bob Fosse lifts and discussion of local zoning...

On paper, Light of Day has everything going for it. One of the first films Michael J Fox made after Back to the Future, it's a gritty tale of rock 'n' roll as a blue-collar pressure vent, aptly made by the director of Blue Collar, Paul Schrader. Its supporting cast has acting royalty in the form of Gena Rowlands, rock royalty in the form of Joan Jett, and a theme song by Bruce Springsteen. And yet...

Pop Screen takes its first dip into the flamboyant world of Japanese director Sion Sono with Tokyo Tribe. Adapting a manga by Santa Inoue, Sono takes the characteristically weird decision to tell it in the form of a hip-hop opera, with dialogue rapped by a mixture of actors and real Japanese rappers like Young Dais. It works better than it sounds, and Geek Show head honcho Rob Simpson is here to g...

The prospect of a Frank Zappa episode of Pop Screen is likely to get you either cheering or groaning, which is of course why we're doing it. This week, confirmed Zappa obsessive Aidan Fatkin joins regular host and Zappa dunce Graham to talk him through the jazz-rock-classical-comedy titan's career - his epic discography, exhaustive production techniques, ribald wit and many, many, seriously many b...

Today we know Morrissey as a character on The Simpsons, but are you aware he also taught Villanelle how to do local government admin? This is just one of the revelations in Mark Gill's 2017 film England is Mine, a film about Morrissey's early life starring Jack Lowden as the indie icon-in-the-making. Released just as Morrissey exhausted the patience of his remaining fanbase by threatening to sue D...

It's the film that's so punk, it annoyed even the punks - Derek Jarman's Jubilee, with its motley cast including Toyah Wilcox, Rocky Horror legend Richard O'Brien, a pre-fame Adam Ant and at least one former tightrope walker, is our subject of discussion this week. Join We Are Cult's Mark Cunliffe and regular host Graham Williamson as they discuss Jarman's influence as a film-maker, a gay rights a...

It would be fair to say that Battleship, Peter Berg's $250 million dollar Hasbro adaptation, does not arrive with the greatest of advance press. And yet, on this week's Pop Screen, our hosts are still astonished at how much goes wrong. Join Graham and Andrew (from Behold! podcast ) as we anatomise the film's scanty, mostly burrito-focused characterisation, its unfortunate obsession with the acrony...

Brian De Palma is not a name commonly associated with campy rock-opera frivolity, but his 1974 film Phantom of the Paradise is closer to Rocky Horror territory than you'd expect from the Carrie auteur. A gonzo melange of Gaston le Roux, the Faust myth and the 1970s music scene before it figured out how to be cool, it's like nothing else you've ever seen before, and this week Graham joins his Direc...

Before we find out if Chadwick Boseman is going to win a posthumous Oscar for Ma Rainey's Black Bottom, let's take a look back at Get On Up, his previous brush with the Academy's sweet tooth for musical biopics. Widely predicted to be a frontrunner in the 2015 Oscar race, the Mick Jagger-produced biopic of James Brown walked away empty-handed. It would be one thing if it was a competitive year, bu...

Pop Screen roars back, like an army of mods on scooters, with Quadrophenia. One of the definitive British cult movies, a peerless translation of an ambitious concept album and a loving tribute to a scene that, in its era, was so dangerous that the term "moral panic" was coined to describe the press reaction. It's the film that made Brighton rock. But even this is selling Frank Roddam's film short,...

What better time for a mockumentary than April Fools Day? The history of  music industry mockery is long and storied, but Graham, Sarah and Mark went for a recent example - Popstar: Never Stop Never Stopping, a note-perfect spoof of the early 2010s style of pop-promo documentary. A flop on its initial release in 2016, time has shown that ever since this film was born, it was dope. Join our trio of...

Pop Screen continues its dive into the strangest products of the 1980s trend towards long-form music videos with a lost gem of British pop surrealism - Jack Bond's It Couldn't Happen Here, starring the Pet Shop Boys. Arguably the first stumble in the relentless upwards trajectory PSB were enjoying, it's been disowned by the band and archly reappraised by Bond as "the first post-Brexit movie". Afte...

We have taken out our Invisalign, and this is the podcast: Mick Snowden of Behold! rejoins Pop Screen to review Billie Eilish: The World's a Little Blurry. It's basically a piece of embedded journalism from the household of a very 21st-century pop star, from the day she first uploaded 'Ocean Eyes' to being tapped to write a Bond theme at the age of eighteen.  Along the way, Graham and Mick will de...

This week, Mark Harrison from Film Stories and VODzilla returns to the podcast to talk all things Josie and the Pussycats! Deborah Kaplan and Harry Elfont's Archie Comics-derived spoof was received poorly on its initial release - yikes - twenty years ago, but with Riverdale and Chilling Adventures of Sabrina revitalising the source material and Framing Britney Spears turning the world's eyes back...

It is the future. 2009. A CGI Anthony Hopkins wants Emilio Estevez's body, but not in a sex way. Which badass bounty hunter does he dispatch to bring Estevez for processing in the - I swear to god, this is what it's called - "lobotomizer"? Why, Mick Jagger, of course. That's the set-up for Freejack, which despite a generous budget and a skilled production team went straight to VHS in the UK. One d...

The title is Buddy Holly, the star is David Essex, and the mood is pure Edward Heath. Claude Whatham's 1973 coming-of-age film might be set in the 1950s but it's really an artefact of Britain's long post-60s comedown, bleak, pessimistic and extremely brown. Remarkably, this tale of a wannabe rock star shrugging and screwing his way through a drizzly holiday camp made Essex a teen idol, and it has...

This week's episode of Pop Screen is about Lorene Scafaria's Hustlers, a film whose tonal balancing act is as precarious as Jennifer Lopez's gravity-defying pole dance. A feminist movie set at a strip club, a warm-hearted caper comedy about sexual exploitation and the credit crunch, a serious crime drama with a festival's worth of pop star cameos... can anyone pull this risky job off? Join Graham...

This week's Pop Screen is about Silibil & Brains - and if your reaction was "Who the hell are Silibil & Brains"?, allow Jeanie Finlay's fascinating 2013 documentary The Great Hip Hop Hoax to explain. Finding themselves shut out of the rap industry for their Dundee origins, they decided to pretend they were from California. Ridiculously enough, it worked, and they were groomed for stardom u...