MFA Writers

Both stage acting and fiction writing are practices in understanding and embodying characters. Cordis Paldano of Minnesota State University, Mankato joins Jared to discuss the ways his acting career informs his writing, the pros and cons of starting the MFA at an older age, and the experience of publishing a children’s novel he wrote in under two months. Cordis Paldano is a third-year MFA student...

Literary fiction on Monday, pulp on Tuesday, YA on Wednesday, poetry on Thursday. Luke Larkin of the University of Montana tells Jared about crossing and mixing genres in a program with a literary pedigree, how queerness and Catholicism influence his writing, and surviving (and thriving!) in the natural beauty and long winters of Missoula. Luke Larkin earned his BA in creative writing at the Unive...

Skiing to campus and living without running water may not be typical aspects of the MFA experience, but they are common at the University of Alaska Fairbanks. On this episode, Keely O’Connell tells Jared about her yurt-to-campus commute, writing nonfiction about wilderness experiences, and surviving comprehensive exams. Keely O'Connell is a third-year MFA student at the University of Alaska Fairba...

As we approach the first application deadlines of this MFA cycle, enjoy this rerelease to help you tackle questions such as: Should I get an MFA? What should I consider when applying? How can I strengthen my application? In this special episode, Jared is joined by Cady Vishniac, Editor-in-Chief of The Workshop and MFA graduate from The Ohio State University. Together, they address MFA applicants’...

The annual MFA application episode is back! This year, Jared is joined by Gregory Spatz, Professor and Program Director of the MFA program at Eastern Washington University, who explains what the application process looks like from a faculty member’s point of view. Answering listener questions, they discuss what to include (and avoid) in your personal statement, what makes a writing sample stand ou...

Jared talks to O. Henry Prize winner Adachioma Ezeano of the University of Kentucky about finding her love of literature through Nigerian novels and folktales, learning craft from strong women, and workshopping without the gag order in favor of Crystal Wilkinson’s wild card critique musings. Adachioma Ezeano is a 2021 O. Henry Prize recipient. She is a second-year fiction candidate in the MFA prog...

Natalie Warther of Bennington College talks to Jared about the potential of flash fiction to introduce literature to nonreaders, making the writer’s life work with a full-time job in advertising, and pursuing a dual-genre degree at her low-residency program. Natalie Warther is a senior writer at 72andSunny and a recent M.F.A graduate from the low-residency program at Bennington College where she w...

Jared and Ashley Sojin Kim of the University of Florida discuss learning about suppressed historic events through poetry, adding form restrictions to enhance the creative process, and networking with publishers at UF’s annual Visiting Editors weekend. Ashley Sojin Kim received her MFA from the University of Florida and her BA from The Johns Hopkins University. Her work appears or is forthcoming in...

In this episode, Jared talks with Katie Schorr of Hunter College about overcoming rejection and the failure to sell her first novel, finding her voice through the writing and revising process, and navigating the MFA while raising two kids. Katie Schorr earned her MFA in Fiction from Hunter College. She’s written for McSweeney’s and Motherly and she has also written and performed one-person shows a...

Welcome to Season 2! Jared is joined by Shreya Fadia of Indiana University Bloomington to discuss incorporating genre elements in literary work, making a career change from law to writing, and how editing Indiana Review has helped Shreya cope with rejection. Shreya Fadia is a third-year fiction candidate in the MFA program at Indiana University, where she currently serves as Editor-in-Chief of Ind...

With deep gratitude, we have reached the end of Season 1. The pod team is taking a little vacation and launching Season 2 in two weeks. In the meantime, enjoy this rebroadcast of Music at Midnight, a podcast published by Hobart's Buffalo Buffalo Buffalo. You'll hear an interview between Jared (as interviewee!) and past guest Evan Fleischer (as interviewer!). They discuss MFA programs, what has sur...

Drawing attention to American and Israeli occupation in the Middle East, Tarik Dobbs of the University of Minnesota crafts experimental poetry based on extensive research and personal experience. Tarik joins Jared to discuss the role of poetry in shaping political perspectives, writing as a collaborative process, and how universities can create a more inclusive and diverse academic community. Tari...

How do emotional pacing and narrative structure influence one another in a story? Jared talks to Aggie Stewart of the Newport MFA at Salve Regina University about her memoir, a braided narrative examining family trauma. They discuss embracing false starts and taking the scenic route to her MFA, a low-res program that lets students practice pitches with agents and editors, encourages cross-genre ex...

Fantasy. Sci fi. Literary absurdist fiction. Keith Enterante of San Diego State University’s novel excerpt has it all. He joins Jared to talk about the support and warmth of his program, the importance of starting and finishing pieces, and how the best writing lights up your nerve endings. Keith Enterante is a writer with an MFA from San Diego State University, where he spent three years drafting...

Pursuing an MFA is not only about improving your own writing, but also that of your peers. Evan Fleischer of Emerson College talks to Jared about how the workshop is like teaching, how editing at Hobart benefits his work, and how the best writing is full of surprises. He also does a pretty good Bob Dylan impression. Evan Fleischer is set to graduate from Emerson College with a MFA in fiction at th...

Humor. Experimentation. Sound play. Ellie Black of the University of Mississippi talks to Jared about how her poetry has gotten increasingly weird, the influence of the Gurlesque movement, and the benefits of a high faculty-to-student ratio. Ellie Black is a poetry MFA candidate entering her third year at the University of Mississippi and the incoming senior poetry editor of the Yalobusha Review ....

What does a bilingual MFA program look like in practice? Antonio Villaseñor-Baca of the University of Texas El Paso joins Jared to talk about studying cross-genre work in English and Spanish, launching a music magazine between degrees, and how reading a diverse canon helped him take pride in his Xicanx identity. Antonio Villaseñor-Baca is a Xicanx bilingual journalist, photographer, poet and write...

Creative writing workshops have remained largely unchanged since their creation in 1936. But what if there’s a better, more empowering, more inclusive way? Jared talks to Felicia Rose Chavez about her new book, The Anti-Racist Writing Workshop: How to Decolonize the Creative Classroom. They unpack MFA student advocacy, discuss the benefits of collaboration over competition, and reconceptualize the...

With political and social unrest rocking his home country of Venezuela, Alejandro Puyana turned to writing as a way to process. He applied to MFA programs four times before landing an acceptance at the Michener Center for Writers. Now, you can read his work in The Best American Short Stories anthology for 2020. Alejandro and Jared talk rejection, revision, and reimagining the world through fiction...

In Singapore, a young nation focused on economic prosperity, the path to the writer’s life can seem uncertain. Against this backdrop, Jemimah Wei of Columbia University tells Jared about her country’s emerging literary canon, how flash fiction taught her restraint, and how open conversations about funding make MFAs more accessible. Jemimah Wei is a writer and host based in Singapore and New York....

A joint MA+MFA program allows students to deepen their understanding of literary criticism and theory while crafting creative works. Jeremiah Barker of Northwestern University tells Jared how they balance the workload, how they find self-compassion in the face of pandemic-induced writer’s block, and how writing about trauma is and is not like therapy. Jeremiah Barker is an essayist currently based...

A low-residency MFA program helped Koyé Oyedeji of Warren Wilson College develop the discipline to work full-time while writing his composite novel. He and Jared discuss the ins and outs of the low-res experience, as well as how being a British person of Nigerian descent living in the US inspires Koyé to write about Black relationships through the lens of identity and class. Koyé Oyedeji’s writing...

An MFA-sponsored trip to the Mariana Islands allowed Danielle P. Williams of George Mason University to reconnect with her ancestral culture. She sits down with Jared to discuss exploring Chamorro history through poetry, learning ancient language through translation, and meeting mentors and allies through her program. Danielle P. Williams is a Pushcart-nominated poet, essayist, and spoken-word art...

What’s it like to work on a research-driven nonfiction book in an MFA while freelancing on the side? Sarah Ruth Bates of the University of Arizona joins Jared to talk about how the nonfiction genre is more than memoir, how science and philosophy inform her work, and how pandemic writing can help us center our shared humanity. Sarah Ruth Bates is a second-year nonfiction MFA candidate at the Univer...

How is the zombie of Haitian folklore a poetic metaphor for how society treats Blackness? Bryan Byrdlong of the Helen Zell Writers’ Program at the University of Michigan tells Jared about his project on the traditional and modern conceptualization of zombies, how poetry can transcend fake news, and how his MFA program gave him an inner editorial voice. Bryan Byrdlong is a Black poet from Chicago,...