Four Play

Daniel Day Lewis' seminal final performance came in Paul Thomas Anderson's Phantom Thread from 2017. The film subverts expectations in the best possible way, appearing to be a 1950s period drama about a fashion designer and morphing into a bizarre love story that explores the darker sides of both masculinity and femineity. Phantom Thread is incredibly dense, nuances, and brimming with beautiful co...

The Master, released in 2012, might be Paul Thomas Anderson's best movie. Featuring stellar performances from Joaquin Phoenix, Philip Seymour Hoffman, and Amy Adams, The Master offers an artistically rich portrayal of a cult with parallels to Scientology. Character-driven and difficult, the film presents audiences with enigmatic characters, bizarre relationships, and unique symbolism. While certai...

Paul Thomas Anderson's 1999 film Magnolia holds a special place in our hosts' hearts, serving up an ensemble cast playing loosely-connected characters in California's San Fernando Valley. This "slice of life" film is composed of a series of vignettes that reveal themes of regret, intergenerational trauma, confronting one's deep-seated problems, and more. While some may find it overly dramatic or l...

Hard Eight kicks off our Paul Thomas Anderson arc as we focus on his first feature length film, which very few people have seen. Boasting a stunning cast of many actors before they became famous, including John C. Reilly, Philip Baker Hall, Gwyneth Paltrow, Samuel L. Jackson, and Philip Seymour Hoffman, the film delivers extraordinary performances. The movie was made on a small $3 million budget a...

Denis Villeneuve's two Dune movies from 2021 and 2024 have created a massive cultural impact and are being considered a new generation's "Star Wars." Thorin, Richard, and Monte pierce the hype of these films after multiple viewings and discuss how they lack a thematic core and end up pedantically issuing a message instead of raising thoughtful questions or being open to interpretation. The films c...

Denis Villeneuve's 2015 film Sicario focuses on the drug trade and the law enforcement war on the Mexican-American border, leading the viewer into a morally ambiguous quagmire where the ends always seem to justify the means. An outstanding cast is led by Emily Blunt, Benicio del Toro, and Josh Brolin offering some of the most iconic performances of their careers and lending weight to a relatively...

In Four Play's second Denis Villeneuve film, we go back to the 2013 thriller, Prisoners. Starring Hugh Jackman and Jake Gyllenhaal in what may be career-defining performances, Prisoners foreshadows the first season of True Detective by exploring a terrifying mystery undercut by dense symbolism. Thorin, Richard, and Monte dissect the compelling moral quandaries that serve as the foundations of the...

We start our new Four Play arc with our first focus on a director, Denis Villeneuve. Lately celebrated for his Dune films, we dive into his back catalog and begin with 2016's Arrival. Like Dune, Arrival is an adaptation of a science-fiction text, and takes an intellectual approach to the concept of first contact and the ensuring geo-political consequences. Ultimately, Arrival focuses on personal d...

The Robert Redford-led Sneakers from 1992 serves as an interesting time capsule to the late Cold War era and the dawn of computer hacking. However, the movie mostly fails in delivering a consistent tone and can't figure out whether it would rather be a high-stakes thriller or a comedic caper that relies on the quirkiness and synergy of its characters. Thorin, Richard, and Monte laugh at the hilari...

Sidney Lumet's 1975 film Dog Day Afternoon focuses on an intimate cast of characters during a tense hostage negotiation after a robbery gone wrong. Touching on American social issues and adapted from a true story, the film provides a vehicle for a sympathetic powerhouse performance from a young Al Pacino. The movie deals with modern themes, such as the distorting power of the media and the implica...

The 1999 remake of The Thomas Crown Affair presents Pierce Brosnan as the slick, titular character indulging in a heist dripping in male fantasy. John McTiernan directs a film, in the downswing of his career, that could have been much more if it focused principally on the cat and mouse game between Brosnan and Renee Russo. The film is beautifully shot and revels in the splendid aesthetics of New Y...

Michael Mann's 1995 film Heat finally arrives on Four Play, an inevitable addition to the show since it's one of all of our hosts' favorite films. Not only an excellent heist movie, Heat is unbelievably well-crafted with characters and a scope that smacks of Shakespearian or Greek tragedies. Richard, Thorin, and Monte discuss the themes of criminality, compulsion to vocation, and the satisfying co...

Satoshi Kon's seminal 2003 film Tokyo Godfathers explores the touching stories of three homeless people who have created a found family on the streets of Japan. While not as fantastical or surreal as Kon's other work, the film still indulges in the fantastical with a series of charming miracles and coincidences that befall the main characters. Tokyo Godfathers tackles a variety of taboo subjects i...

Four Play revisits an all-time Christmas classic, Frank Capra's 1946 film It's a Wonderful Life. Notable for its saccharine ending and celebration of human kindness, the film provides a warm holiday glow in spite of overtly dark themes that permeate the majority of the story. Thorin, Richard, and Monte discuss the movie's many merits, its exploration of socialism vs capitalism, and provide histori...

Bill Murray led film Scrooged as a 1988 re-telling of the classic Charles Dickens story A Christmas Carol, directed by Richard Donner. Four Play examines the success of this modern framing, which sees Murray as television station executive Frank Cross, who undergoes encounters with the ghosts of Christmas past, present, and future. The film serves up some brilliant satire and witty dialogue, but s...

We thought Batman Returns was good. As it turns out, Tim Burton's 1992 movie lived in Richard, Thorin, and Monte's minds in rosy nostalgia that simply didn't hold up 30 years later. The terrible writing, plot, and dialogue drags down a film with a large budget, extraordinary visuals, and a good cast. Filled with a strange mélange of campiness and blatant sexuality, the tone completely misses the m...

Con Air takes flight this week's Four Play, featuring a cast brimming with top stars and character actors from 1997. The film serves up some amazing action sequences, stunt work, and excellent over-the-top performances, which should leave viewers satisfied if they "buy in" to the absurd premise. Even the movie's obvious flaws, such as the overly fast pacing, terrible writing, and massive plot hole...

Total Recall stands apart from our other 90's action films in this Four Play cycle through its cutting satire, intriguing themes on the nature of reality, and genuine intelligence. Paul Verhoeven's 1990 science-fiction banger was frequently misinterpreted upon its release but has aged beautifully in spite of the gratuitous violence and cheesy acting by Arnold Schwarzenegger. The film toys with its...

The first Tom Cruise Mission: Impossible film debuted in 1996 and created a multi-decade film franchise that continues to this day. Director Brian De Palma created a surprisingly complex storyline, at least for a Hollywood popcorn flick, that focuses around an espionage mole hunt with a surprising twist. The movie delivers the single most iconic scene of computer hacking in film history as well as...

John Woo's 1997 film Face/Off kicks off a fierce debate among our hosts about whether or not the film succeeds in a fun, yet stupid, premise or if it's too ridiculous to be considered good. The film's Hong Kong style seems out-of-place in a Hollywood movie, but can a viewer buy into its heightened style and find enjoyment. Thorin, Richard, and Monte fiercely debate if watching Face/Off is a pleasu...

The logical endpoint of Film Noir, Curtis Hanson's L.A. Confidential stands apart as a buffet of Noir tropes devoured by a masterful cast. It serves as the ultimate movie of its genre, mashing together institutional corruption, prostitution, drugs, the seedy Hollywood underbelly, racism, and ethical policing. Upon re-viewing, Richard, Thorin, and Monte agree that it must be one of the most crimina...

Often considered one of the greatest films ever made, Roman Polanski's 1974 Film Noir masterpiece Chinatown explores themes of corruption and the futility of fighting against institutional power. Richard, Monte, and Thorin discuss the devastating ending, the banality of the water rights subject matter, the impeccable pacing, and more. They ask if Jack Nicholson's performance is even necessary to t...

Touch of Evil, directed by Orson Welles in 1958, is the second step on our journey through Film Noir. Thorin, Richard, and Monte discuss Welles' spectacular performance as a despicable detective, the racial themes behind the film, the casting of Charlton Heston as a Mexican police officer, and more. They dive into the films theme of the ends justifying the means and the racial commentary on the Me...

We put on our trench coats and fedoras to investigate four different movies in the Film Noir genre, beginning with John Huston's The Maltese Falcon from 1941. This film remains the perfect starting point for exploring Film Noir and served as a blueprint for dozens of future movie in the following decades. It brims with exceptional acting performances by Humphrey Bogart, Sydney Greenstreet, and Pet...

Near Dark, directed by Kathryn Bigelow and released in 1987, takes an unusual approach in examining the practical realities of being a vampire in modern times and the difficulties in living with such extreme strengths and weaknesses. While other films in our 1980s vampire genre may have glorified undeath, Near Dark presents vampirism as a true curse and a horrific plague upon normal humans. Richar...