Deep Focus

Throw away the map.  Now, how are you going to find your way to your destination?  You will probably find many more answers than you may have thought you'd find when you were looking at that folded-up piece of paper.     The band Old and New Dreams didn't have to follow chord changes, disregarded time signatures, but their music was full of story-songs, each with a beginning, a middle, and an end....

Throw away the map.  Now, how are you going to find your way to your destination?  You will probably find many more answers than you may have thought you'd find when you were looking at that folded-up piece of paper.     The band Old and New Dreams didn't have to follow chord changes, disregarded time signatures, but their music was full of story-songs, each with a beginning, a middle, and an end....

This episode of Deep Focus has been decades in the making.  Deep Focus host Mitch Goldman started DJing Monday nights at WKCR in 1985.  At that time, he alternated Mondays with fellow WKCR programmer Ethan Singer.  Mitch and Ethan soon discovered that they both loved a lot of the same music and both loved the live music experience.  They merged forces and started producing a show with live session...

This episode of Deep Focus has been decades in the making.  Deep Focus host Mitch Goldman started DJing Monday nights at WKCR in 1985.  At that time, he alternated Mondays with fellow WKCR programmer Ethan Singer.  Mitch and Ethan soon discovered that they both loved a lot of the same music and both loved the live music experience.  They merged forces and started producing a show with live session...

This episode of Deep Focus has been decades in the making.  Deep Focus host Mitch Goldman started DJing Monday nights at WKCR in 1985.  At that time, he alternated Mondays with fellow WKCR programmer Ethan Singer.  Mitch and Ethan soon discovered that they both loved a lot of the same music and both loved the live music experience.  They merged forces and started producing a show with live session...

The music, the people playing it, and the audience are all in a state of total oneness.  It's a spontaneous improvisation as delicate as an eggshell.  You're almost afraid to breathe lest this moment dissolve, and we are all dropped back to the cold earth.  Then you open your eyes to see that the bassist is Charlie Haden, and you know that this moment will not end until its time has come, because...

The music, the people playing it, and the audience are all in a state of total oneness.  It's a spontaneous improvisation as delicate as an eggshell.  You're almost afraid to breathe lest this moment dissolve, and we are all dropped back to the cold earth.  Then you open your eyes to see that the bassist is Charlie Haden, and you know that this moment will not end until its time has come, because...

The music, the people playing it, and the audience are all in a state of total oneness.  It's a spontaneous improvisation as delicate as an eggshell.  You're almost afraid to breathe lest this moment dissolve, and we are all dropped back to the cold earth.  Then you open your eyes to see that the bassist is Charlie Haden, and you know that this moment will not end until its time has come, because...

Improvisation is considered a high art form for an instrumentalist, but what about for a composer?  Is it even possible to create a piece of music for an ensemble, and to hear it performed in real time?  How would you go about that? You would have to have an entire group imagining together.  Lawrence "Butch" Morris did it by creating a compositional language that allowed him to convey musical idea...

Improvisation is considered a high art form for an instrumentalist, but what about for a composer?  Is it even possible to create a piece of music for an ensemble, and to hear it performed in real time?  How would you go about that? You would have to have an entire group imagining together.  Lawrence "Butch" Morris did it by creating a compositional language that allowed him to convey musical idea...

Improvisation is considered a high art form for an instrumentalist, but what about for a composer?  Is it even possible to create a piece of music for an ensemble, and to hear it performed in real time?  How would you go about that? You would have to have an entire group imagining together.  Lawrence "Butch" Morris did it by creating a compositional language that allowed him to convey musical idea...

Improvisation is considered a high art form for an instrumentalist, but what about for a composer?  Is it even possible to create a piece of music for an ensemble, and to hear it performed in real time?  How would you go about that? You would have to have an entire group imagining together.  Lawrence "Butch" Morris did it by creating a compositional language that allowed him to convey musical idea...

Meet me at Edge City.  Isn't that place where worlds collide the only one where new ideas are ever generated?  Saxophonist Jim Pepper knew all about these cultural collisions. His band Free Spirits was arguably the first to combine rock and jazz elements, and his oft-covered song Witchitai-To is perhaps the only hit to feature an authentic Native American chant in the history of the Billboard pop...

Meet me at Edge City.  Isn't that place where worlds collide the only one where new ideas are ever generated?  Saxophonist Jim Pepper knew all about these cultural collisions. His band Free Spirits was arguably the first to combine rock and jazz elements, and his oft-covered song Witchitai-To is perhaps the only hit to feature an authentic Native American chant in the history of the Billboard pop...

Meet me at Edge City.  Isn't that place where worlds collide the only one where new ideas are ever generated?  Saxophonist Jim Pepper knew all about these cultural collisions. His band Free Spirits was arguably the first to combine rock and jazz elements, and his oft-covered song Witchitai-To is perhaps the only hit to feature an authentic Native American chant in the history of the Billboard pop...

Plate tectonics, this idea that the very surface of the earth is not an unyielding solid, but a set of independent segments in a constant state of flow, was not always accepted as truth.  It was only developed in 1967, but once geophysicists saw how accurately it described familiar phenomena, there was no going back.     At the exact same time, Jack DeJohnette was emerging as a new force on drums....

Plate tectonics, this idea that the very surface of the earth is not an unyielding solid, but a set of independent segments in a constant state of flow, was not always accepted as truth.  It was only developed in 1967, but once geophysicists saw how accurately it described familiar phenomena, there was no going back.     At the exact same time, Jack DeJohnette was emerging as a new force on drums....

Plate tectonics, this idea that the very surface of the earth is not an unyielding solid, but a set of independent segments in a constant state of flow, was not always accepted as truth.  It was only developed in 1967, but once geophysicists saw how accurately it described familiar phenomena, there was no going back.     At the exact same time, Jack DeJohnette was emerging as a new force on drums....

Listen to Henry Threadgill's music.  What a phantasmagoria of splendors and esoterica must animate his mind!  Don't you just want to go to that place?  Maybe for a night out on the town?  Or a picnic in The Secret Garden?  Aren't you curious about where his inspiration comes from?  You could read his autobiography, Easily Slip Into Another World: A Life in Music (in fact, we recommend you do), but...

Listen to Henry Threadgill's music.  What a phantasmagoria of splendors and esoterica must animate his mind!  Don't you just want to go to that place?  Maybe for a night out on the town?  Or a picnic in The Secret Garden?  Aren't you curious about where his inspiration comes from?  You could read his autobiography, Easily Slip Into Another World: A Life in Music (in fact, we recommend you do), but...

Listen to Henry Threadgill's music.  What a phantasmagoria of splendors and esoterica must animate his mind!  Don't you just want to go to that place?  Maybe for a night out on the town?  Or a picnic in The Secret Garden?  Aren't you curious about where his inspiration comes from?  You could read his autobiography, Easily Slip Into Another World: A Life in Music (in fact, we recommend you do), but...

Breaking new ground requires a willingness to plunge into the unknown.  You don't know what terrors and wonders you might find there.  The risks are concealed until it's too late to turn back.  That's one thing when it's your pursuit.  What about when it's someone else's vision, and you need to lead them through it?  What do you do?  Just dive into the Vast Empty?  Yes, you do if you're trombonist...

Breaking new ground requires a willingness to plunge into the unknown.  You don't know what terrors and wonders you might find there.  The risks are concealed until it's too late to turn back.  That's one thing when it's your pursuit.  What about when it's someone else's vision, and you need to lead them through it?  What do you do?  Just dive into the Vast Empty?  Yes, you do if you're trombonist...

Breaking new ground requires a willingness to plunge into the unknown.  You don't know what terrors and wonders you might find there.  The risks are concealed until it's too late to turn back.  That's one thing when it's your pursuit.  What about when it's someone else's vision, and you need to lead them through it?  What do you do?  Just dive into the Vast Empty?  Yes, you do if you're trombonist...

If you want to change the game, first you need to master the game.  Coming up in Newark in the fifties was the exact right place and time for Larry Young to learn the idiom of the Hammond B-3 organ, and he learned his lessons well.  His early records embody the soul-jazz organ trio sound made popular by Jimmy Smith.   But as the sound of the sixties emerged, Larry Young (also known by his Muslim n...