danieldiazmusic

Based on https://soundcloud.com/tunelight/disquiet0636-1of3-implexus by @tunelight My soft R panned synth track (a soloist impro using a mono lead on AAS Ultra Analog) over his L panned original. I improvised over 6 tracks from last week to see what happened on "first take" , decided to keep 3 for the second week. Today, while choosing just 2 to share here, I decided to keep this one, even if I di...

I used Tristan Louth-Robins (@red_robin) guitar track as a basis for this. https://soundcloud.com/red_robin/disquiet_junto_0636-epochs-left-1-of-3-72-bpm I added electric bass, playing a quite standard bass line and some harmonics. This still sounds like a "basic track", hope somebody has an idea to complete this next week. This collaboration between two austral guys is called Australopithecus. I...

Hi, today I had a great recording session in duet with the great Bobby Rangell, from Denver, Colorado, my "to-go" flute player. It was an ambient bass & flute gig. The volume of certain pedals is a bit out of control, I kept tweaking that, but this is the only test recording I did, straight to stereo .I started earlier to set up all my pedals and practice a little bit, and recorded this impro as a...

Trailer music with bowed upright basses, string orchestra , percussion and effects. Composed an performed by Daniel Diaz, February/March 2024 For this haiku: The first thunder Is likely to shake The tiered doll stand. Haiku by Kawahigashi Hekigoto Picture by Victor Chartin @naviarrecords https://open.spotify.com/intl-fr/track/5Q1x79ESZgws3grqdTcaid

Used the source audio + electric bass (base and harmonics), drums+programming+synth pad+bells Friday March 1st during the morning in Paris. https://soundcloud.com/disquiet/train-source-1 More on the 635th weekly Disquiet Junto project, ’Round the Bend — The Assignment: You’re in a duo, and your bandmate is a train — at https://disquiet.com/0635/

A "trailer" track I've been working on requests this past week. Synthesizers, orchestral samples, percussion, arpeggiators. For this haiku: ore train bright colors passing quickly by: Jerome Berglund Photo by CHUTTERSNAP https://www.naviarrecords.com/naviarhaiku527-ore-train/

"Take one held tone and make it dance slowly" HI, I used a single Saw waveform playing a C note. I made it evolve using the Mod-wheel mapped to filter frequency cutoff and the knobs and faders of my midi controller mapped to tweak filters and LFO in real time. Recorded two parallel tracks, one tweaking a square waveform LFO1 mapped to "volume" , the second track tweaking a pulse LFO2 mapped to Fil...

trailer miusic using my new "toy", @cinesamples musio libraries. january 25th 2024 sample libraries by dd photo by rob simmons https://llllllll.co/t/disquiet-junto-project-0630-creative-sufficiency/

Simple guitar arpeggios and string soundscapes, with felt piano and ukulele overdubs. Inspired by this haiku: vernal seas… all day long swelling, falling swelling, falling by: Yosa Buson I took the picture one springtime on the northern coast of France (Normandy) https://www.naviarrecords.com/naviarhaiku525-vernal-seas/

Piano String quartet (harmonics) by Cinesamples Orchestral drones by Spitfire Photo by DD, Oslo Concert Hall. Today I tested and old sample library and a new one I've got to compare their sounds. I used the junto prompt as inspiration for my tests. I'm a small time alchemist, so I didn't went too far into the transformation. I just wrote a simple piano piece, I submerged the piano piece into some...

Hi, I imagined a ball bouncing on that concrete room (photo). The room is huge. the ball is hollow and metallic. Used: Hang (treated with a bouncing delay fx) Synthesized field recording Filtered and treated field recording. Recorded on December 22nd 2023 during the morning. for this junto:https://llllllll.co/t/disquiet-junto-project-0625-noise-ceiling

Jam session en el estudio. Paris, martes 13 de Junio 2023. Raúl Barboza: acordeón Santiago Arias: Bandoneon Daniel Díaz: bajo acústico Improvisación en torno a Ferviente Ilusión, vals de R. Barboza.

I’m taking from the trash bin this complete take on an actual composition that I recorded during last September and decided not to use, and instead make a new, different version. The new , “approved” version, shorter, faster, all acoustic, will be released during the winter, so this one became obsolete and has been lying on the trash for a couple of months now. I took that photo in Tokyo Oct 2019....

A simple melody played on acoustic guitar, felt piano and fretless bass. Some orchestral chords (treated) acn be heard in the background. Composed on an ukulele sitting alone on a sunny winter day on the beach at Marina di Pescoluse, Puglia, Italia. Recorded in Paris, November 2023. For this haiku: two seahorses dancing in seagrass slivers of sunlight Poem by Corine Timmer Photo by David Boca @nav...

Hey, I worked on this track by @fake-genius https://soundcloud.com/fake-genius/disquiet0619-ritm I like it because it’s the sweet blend between demented and easy to follow. I spent the whole day recording my upright bass, bowed, for a different project. I did 16 tracks of a repetitive thing, with rhythmic delays, so I am hot with the bow. Here I did 8 tracks, so 4 stereo pairs (everything double t...

I seldom work like this: creating a charged “full steam” pattern and placing it at the end of a crescendo, then moving backwards removing stuff till there’s nothing left at the beginning. I did it with drum programs a lot, but also with repetitive stuff (pianos, guitars) à la Reich/Riley. I like to have an idea of my “tutti”, my maximum peak in density and intensity, then going there from zero. Th...

Hi, lately I’ve been working a lot (for a professional assignment) on orchestral soundscapes, so my previous Soundcloud shares were done using sample libraries, a friend’s cello performance and my own upright basses (using my bow) This one, recorded yesterday and edited and finished today (Friday the 27th Oct 2023 is just me and my multitracked bowed bass , to achieve a noisy, creepy tone I didn’t...

Orchestral soundscape. I've been "testing" some gorgeous string orchestra libraries I have because next week I have a job to do with it, mostly quiet orchestral pads and soft beds. So This junto comes at the right time to try that, I played some quiet episodes combining different sample libraries and different convolutions reverbs and some Valhalla Supermassive. The only real instrument I played i...

Abstract, hypnotic orchestral soundscape. Created by DD in Paris, france, Thursday 12th October 2023. For this haiku: in pre-dawn darkness the avant-garde soundtrack of orchestral rainfall Haiku by Elliot Carson https://www.instagram.com/i.write.haiku/ Picture by Lazarescu Alexandra

Harmonium Fretless bass Arpeggiators/Synths String orchestra samples. I often work with arpeggiators, and I like to combine their kinetic, steady pulse with ambient parts, rubatto and floating. I particularly like to add acoustic "real" instrument to and icy electronic arpeggiator synth. I do like all those contrasts : rhythmic vs floating, acoustic vs electro, tense vs relaxing cold vs warm etc H...

Instrumental neoclassical electric-acoustic. Shared on October 5th 2023 inspired by this poem: "Disappearing snow on mountain peak unfurls a rainbow" Music composed and performed by DD Electric guitars Electric bass Acoustic guitar Analog Synth Haiku by Sôen Nakagawa Picture by Mateus Campos Felipe @naviar-records

An upright bass improvisation with echoes and delays... For Disquiet Junto Project 0611: Music That Listens to Itself

drums electric bass wah lead bass guitar wah electric guitar organ synth for this haiku: in search of a name the torrent of rainwater down the canyon wall @naviar-records Shared September 2023 Haiku by Mark Miller Picture by Dan Meyers

Composed by: Daniel Diaz & Edgardo Fernandez Grau (music) Edgardo Fernandez Grau (lyrics) Recorded in Buenos Aires 1996 by: Daniel Diaz: Acoustic piano, electric bass, percussion, vibes, synthesizer. Daniel Fernandez: drums Miguel Angel Amaral: Vocals(@tom-williams-162) Published by DedeLand Music Co./BMI

Composed by: Edgar Fernández Grau(music) Daniel Fernandez (lyrics) Recorded in Buenos Aires 1996 and 2006 by: Daniel Diaz: Electric piano, upright bass, percussion, melodica. Daniel Fernandez: drums Edgar Fernandez Grau (@edgar-grau-1): guitars Miguel Angel Amaral: Vocals(@tom-williams-162) Published by DedeLand Music Co./BMI