Bivouac Recording SC

Slow is the experience of all deep fountains: Long have they to wait until they know what hath fallen into their depths. From Bivouac Archive 01 (2003)

From Bivouac. Live. 2003

We are Facemat. As of now we are one male (Victor Salazar) and one female (Brooke Sadler). We want to expand into much more. We are from our Nation's Capital, Washington, D.C. and the Maryland suburb of Prince George's County. Our music is an ironic juxtaposition of free noize musick and odorless P(L)O P tendencies. We like open dripping synth vibes on top of blunted elecro/acoustic beats or percu...

Meri von KleinSmid is a composer of music and sound art. She also participates in phonography, and occasionally performs live. Equipment you use: Items from the Boeing Surplus outlet, sources from field recordings, computer software, short wave radio and miscellaneous. From Bivouac Archive 01 (2003)

Koura Chicago, il Letting things lay as they fall source: gifu - ogaki - inuyama, japan headphone listening at a moderate fixed volume is recommended Equipment: Powerbook, da-p1, binaural mics From Bivouac Archive 01 (2003)

Unraveled Brown Cassette Lying On A Freeway From Bivouac. Live. 2003

April 1, 2019 / 18:46 / 25.0521520, 102.7005799 / Tian Jun Dian Alley 天君殿巷 / At nightfall, I went to meet my friends at As You Like Café at Tian Jun Dian alley / It was a very hidden alley and bit narrow / There were only two very small restaurants, but the Café was a super cozy place / I arrived early and stood outside the cafe recording the sound / The Cafe staffs began to cook for the guest...

DX7 and S900. Bivouac. Archive. 2003

About how I make the sound, I use Wavestudio and Windows Recorder and really tiffy microphones. Also a tone generator for one of the songs I sent. And a tape recorder and guitar and can for the others (and so on…?). -Michel Delage From Bivouac Archive 01 (2003)

We are Facemat. As of now we are one male (Victor Salazar) and one female (Brooke Sadler). We want to expand into much more. We are from our Nation's Capital, Washington, D.C. and the Maryland suburb of Prince George's County. Our music is an ironic juxtaposition of free noize musick and odorless P(L)O P tendencies. We like open dripping synth vibes on top of blunted elecro/acoustic beats or percu...

Unraveled Brown Cassette Lying On A Freeway From Bivouac. Live. 2003

Slow is the experience of all deep fountains: Long have they to wait until they know what hath fallen into their depths. From Bivouac Archive 01 (2003)

Donki Ra began as an outlet for harsh-noise and theatrical gimmicks… the glitz and glam that noise should be. Focusing on the sexual, perverse, childish, and grotesque, I aim to keep things simple yet difficult as possible. Noise found its way not my life when Merzbow’s “Venerology” arrived at my home while I was in 7th grade, changing me forever. Aside from Donki Ra, I am a member of Ovaries!, Th...

Psychic Space Invasion is an attempt to create an ambient music that is truly part of the listener’s environment and not merely a soporific. - Ian Holloway From Bivouac Archive 01 (2003)

Psychic Space Invasion is an attempt to create an ambient music that is truly part of the listener’s environment and not merely a soporific. - Ian Holloway From Bivouac Archive 01 (2003)

Koura Chicago, il Letting things lay as they fall source: gifu - ogaki - inuyama, japan headphone listening at a moderate fixed volume is recommended Equipment: Powerbook, da-p1, binaural mics From Bivouac Archive 01 (2003)

December 15, 2018 Deity Microphones China sponsored my first 4 vlogs about field recording and also gave me some sweet mics to play around with in the meantime. Thanks Deity! This was the first location of the first episode and after we filmed it, I felt that I could be better. Luckily the cameraman was still in town for one more day so I said I wanted to do it again but better. We went back out t...

I make music that shakes me to my very core, using whatever sort of unconventional methods I can dream up. -Andrew Witt Wisconsin, USA From Bivouac Archive 01 (2003)

Meri von KleinSmid is a composer of music and sound art. She also participates in phonography, and occasionally performs live. Equipment you use: Items from the Boeing Surplus outlet, sources from field recordings, computer software, short wave radio and miscellaneous. From Bivouac Archive 01 (2003)

Slow is the experience of all deep fountains: Long have they to wait until they know what hath fallen into their depths. From Bivouac Archive 01 (2003)

Donki Ra began as an outlet for harsh-noise and theatrical gimmicks… the glitz and glam that noise should be. Focusing on the sexual, perverse, childish, and grotesque, I aim to keep things simple yet difficult as possible. Noise found its way not my life when Merzbow’s “Venerology” arrived at my home while I was in 7th grade, changing me forever. Aside from Donki Ra, I am a member of Ovaries!, Th...

About how I make the sound, I use Wavestudio and Windows Recorder and really tiffy microphones. Also a tone generator for one of the songs I sent. And a tape recorder and guitar and can for the others (and so on…?). -Michel Delage From Bivouac Archive 01 (2003)

Searching For Sentinels- 05 by Terence LLoren

Donki Ra began as an outlet for harsh-noise and theatrical gimmicks… the glitz and glam that noise should be. Focusing on the sexual, perverse, childish, and grotesque, I aim to keep things simple yet difficult as possible. Noise found its way not my life when Merzbow’s “Venerology” arrived at my home while I was in 7th grade, changing me forever. Aside from Donki Ra, I am a member of Ovaries!, Th...

I make music that shakes me to my very core, using whatever sort of unconventional methods I can dream up. -Andrew Witt Wisconsin, USA From Bivouac Archive 01 (2003)