Film Stories with Simon Brew

The legend of 1995's Waterworld suggests that it was a huge flop and a criticial disaster. The truth? It was neither. But it was one of the toughest Hollywood productions of the 1990s, and its story continued even after the arduous shoot was complete. In this episode, Simon goes through the origins of the film as a low budget idea, right through to the emergence of a longer, alternate cut to the f...

Multi-Oscar-winning editor, sound designer, writer and editor Walter Murch joins Simon for a very special episode of Film Stories. Walter's just released his latest book, Suddenly Something Clicked, and it's packed full of advice, plus stories from his extensive career. In this long chat, the pair talk about the Droid Olympics, The Conversation, Francis Ford Coppola nearly poisoning him (!), and a...

The summer of 1989 gave Warner Bros an enormous box office hit with Batman - but not far behind it came Lethal Weapon 2, a sequel turned around in a couple of years, and bringing back most of the key creatives. Not writer Shane Black, though. His much darker idea for the sequel would be rejected, and the tone would duly shift. Plus, we'd get a lot more Joe Pesci as a result. In the second half of...

Mia Threapleton, in her teens, was obsessed with Moonrise Kingdom, and wanted to work with Wes Anderson. Fast forward to now, and she's the standout of his new film, The Pheonician Scheme. In this long interview, she talks about working with Wes, about how dyslexia affects how she processes a script, and why she keeps being stuck on trains when she gets important phone calls. The Phoenician Scheme...

The future of the Mission: Impossible movies was up in the air after the third film, with Paramount Pictures and Tom Cruise parting ways. It took some bridge building to get a fourth movie going, and even then, Mission: Impossible - Ghost Protocol would bring with it changes. Plus, a contingency plan to replace Tom Cruise as the figurehead of the franchise going forward... Pixar meanwhile, around...

In a very special episode of Film Stories, Simon is joined by writer, director, actor and comedian Bobcat Goldthwait, for a conversation about his film career. In the wide-ranging chat, taking place as God Bless America arrives on the Studiocanal Presents streaming channel in the UK, Bobcat tells us about his approach, The Muppets, and why he writes reviews of cat biscuits on Amazon... Learn more...

The behind the scenes stories of two films some time in the making come together in this episode, starting with 1993's Jurassic Park. A film made at a point when Steven Spielberg's box office touch was being questioned. A movie that, had a battle for the rights gone the other way, could have been made by one of Tim Burton, Joe Dante or Richard Donner. As it was, Universal and Spielberg made the mo...

Director Martin Campbell is guest of honour in the latest episode of Film Stories. He's just directed his new film, Cleaner, starring Daisy Ridley, and he talks Simon through that, as well as the challenges of independent filmmaking. Plus! The pair talk about some of Campbell's other directorial work, including Casino Royale, The Mask Of Zorro, No Escape, GoldenEye, Vertical Limit, and some of the...

In a special episode of the Film Stories podcast, Simon is joined by actor Geraldine Viswanathan for a conversation about her most recent work, and her body of work. That most recent film? Thunderbolts, which also happens to feature a guinea pig. That comes up in conversation. Films such as Bad Education and Blockers are also discussed, and how she goes about choosing her films as well. Thunderbol...

After a week off for Easter, the Film Stories podcast is back with more behind the scenes movie stories. It's going all gangster this time too, with the tale of how Lock, Stock & Two Smoking Barrels had to scale down from a very expensive film to a very cheap one. And the moment when Tom Cruise lent it a helping hand too. Then it's 1993's Alive, telling a difficult true story on film, and as it tu...

The release of Sinners in cinemas brings with it a special episode of Film Stories, where Delroy Lindo joins Simon for a chat about the film. They also talk about Delroy's career, his key collaborations, his approach to his work and more. Along with Sinners, you get bits of Malcolm X, Da 5 Bloods, Ransom and Congo in the conversation. Delroy Lindo proves to be quite the interviewee... Learn more a...

It's a film made for TV that takes the spotlight in this episode of Film Stories, as 1984's terrifying post-apocalyptic Threads moves into the limelight. A film made on a very tight budget, and shot in under three weeks, it was nearly derailed entirely by an American TV production around the same time. And when it did get made and was screened? Well, traffic wardens have never looked so chilling....

In a very special episode of the Film Stories podcast, Simon is joined by filmmaker Patricia Riggen, the director of the brand new action film G20. She talks about making the film, her collaboration with Viola Davis, and the problems she still faces on a movie set. They also dig back into her film story, from her earlier career, to cemetery exploring for Guillermo del Toro, and a whole lot more......

There was a brief period in time when the movie Drive was set to star Hugh Jackman, and be backed by a Universal Studios budget. But when they fell through, the movie became an lower budget independent, and for the first time, Ryan Gosling was able to hand-pick a director. He made an unusual, yet very successful choice. For the second half of this episode, director Christopher Landon joins Simon t...

Dinner dinner dinner dinner! Etc. Announced just six months before it landed in cinemas, the much-loved 1966 production Batman: The Movie was a masterclass in moving fast. Shot while the first series of the Batman TV show was still playing, it was written in two weeks, filmed in a month, and premiering in Texas as a result of some help with a boat... Also filmed in a month? Jason Reitman's 2011 fe...

Two movies here where audiences went in expecting one thing, and might just have got another. 1991's The Fisher King though for a time was going to be a Disney movie, before the studio decided it was too dark. Directors such as Steven Spielberg and James Cameron were mentioned, before Terry Gilliam - coming off the back of a commercial flop - decided to break all three of his conditions for taking...

In a very special episode of the Film Stories podcast, Simon is joined by Oscar-winning producer Irwin Winkler, for an hour-long chat about his career. He was in town to talk about his latest film as producer, The Alto Knights. However, the stories take us right to the infancy of his producing career (including Elvis Presley!). Films covered in the chat include Rocky, Rocky IV, Raging Bull, Guilty...

It had taken five years for Stanley Kubrick to go from 1975's Barry Lyndon to 1980's The Shining. The gap to Full Metal Jacket would be longer, but it'd mark the first in a three picture deal that Kubrick signed with Warner Bros. A deal that would never be completed. Full Metal Jacket was, though, but the making of it was exhausting and exhaustive. And a disused gasworks was just part of the probl...

For Star Wars spin-off Solo: A Star Wars Story, it wasn't supposed to be like this. Infamously, 90 days into photography, parent company Lucasfilm opted for a director change. Out when Christopher Miller and Phil Lord, and in came Ron Howard. And Howard had less than year to retool the movie, and shoot a whole lot of new footage. It remains one of the most infamous Film Stories of the 2010s. For t...

2016 was a turning point in the world of the X-Men movies. After the big success of 2014's X-Men: Days Of Future Past, 20th Century Fox spent big on X-Men: Apocalypse, and big things were expected of it. On the other hand, it had taken a gamble with a different X-Men-related project, Deadpool. Things would not go the way that the studio had originally expected. The story of Scent Of A Woman meanwh...

The path to the 26th James Bond film is one already filled with quite the story. Unmade at the point this episode is released in 2025, James Bond 26 has looked in limbo since the release of No Time To Die in 2021. There's no new 007, no script, no director...and it's an impasse that's cost $1bn to resolve. More conventionally, Long Shot did actually get made, released in 2019. Still, a romantic co...

After the huge success of the original Gremlins, Warner Bros quickly wanted a sequel. The people who'd actually made Gremlins, not least director Joe Dante? The thought of making another was not in the slightest big appealing. Until, many years later, the studio made Dante an offer: if you make Gremlins 2, you can do pretty much whatever you want with it. This is the story of how the ensuing film...

Mario Van Peebles was in London in early February along with his son, Mandela. And the pair stopped by for a long chat about their work, their latest film - Outlaw Posse - and a whole lot more. In this chat, topics include Jaws: The Revenge, the role of a producer, Melvin Van Peebles, the hidden names in the end credits of Outlaw Posse, New Jack City and a whole lot more... Learn more about your a...

Coming off the back of the film Payback, Oscar-winning writer/director Brian Helgeland feared he might be in movie jail. Thus, he got writing, and came up with A Knight's Tale, a film mixing jousting, modern music, Heath Ledger, and a naked Paul Bettany. It took months to shoot in Europe. When it came to the music, David Bowie turned up. And then there's the tale of its sequel that never was. King...

In an extra episode of the Film Stories podcast, Simon is joined by director Tim Fehlbaum, as they discuss his new film, the Oscar-nominated September 5. As always, it's a far-ranging conversation, taking in Fehlbaum's earlier work, a name on the end credits of the film, and the attention to detail in making the movie. Plus, a few thoughts on the technical similarities with Saturday Night as well....